Medium: Oil on board
Measurements: W 46cm x H 38cm
Price on request
Title: La Marne á Ussy-sur-Marne by Henri Hayden (1883-1970)
Signed: Henri Hayden
Date created: 1957
Dimensions: Please note the dimensions of this work when framed are approximately 67cm x 60cm
Provenance: Sotheby’s Olympia 24th March 2004 – Private collection London UK
Reference: Ussy-sur-Marne is a French commune located in Seine-et-Marne in the region Ile-de-France. Samuel Barclay Beckett (1906-1989), the Irish playwright, novelist and poet, purchased a house in Ussy-sur-Marne, France. Hayden became friends with the Nobel prize-winning author while they were evading the Nazis during WWII. Numerous letters and cards were sent between the two after the war – both a difficult time for Beckett (he had recently lost his mother and brother) and one when his writing was particularly productive. Beckett in turn aided Hayden in a range of tasks, most notably introducing the artist to the dealer Victor Waddington and sorting out his finances. It was most likely Beckett who introduced Hayden to this village whilst he was living there.
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Henri Hayden (1883-1970)
Henri Hayden was born in Warsaw, on the 24th December 1883. Hayden studied engineering at the Warsaw Polytechnic from 1902-5, whilst pursuing studies at the Warsaw Academy of Fine Arts. Henri Hayden moved to Paris, France in 1907 and devoted himself entirely to painting where he studied at the Académie de la Palette. Inspired by Paul Cézanne, Hayden moved to a studio on the Boulevard Raspail where he later became acquainted with The Grupo Montparnasse and artists such as Pablo Picasso, Jean Metzinger, Albert Gleizes, Auguste Herbin and Juan Gri. Hayden rose to prominence as a Cubist painter and became associated with the Ecole de Paris from 1911-21. His first exhibition took place at the Galerie Druet in 1911 which caught the attention of one of the most influential French art dealers of the 20th century, Leonce Rosenberg whom dealt with the aforementioned artists.
From 1922, Hayden returned to nature and began painting still life and landscapes which proved popular with collectors and dealers of his work. He later took haven in the south of France during and after World War II and from the early part of the 1950’s Hayden’s revitalised naturalistic work brought more success and recognition.
Years later, Hayden would declare: “I only absorbed Cubism in 1915, after having swallowed and digested all of French painting in a few years. This rapid absorption led me, in a spirit of creative synthesis, without even realising, to Picasso and Braque’s experimentation at the time”
Today, Henri Hayden’s works are held in several major museum collections worldwide, including the Tate Modern in London, The Museum of Modern Art in New York, The Carnegie Museum of Art in Pittsburgh, The Art Gallery of New South Wales, Sydney, Australia, Musée d’Art Moderne de Troyes, France, Musée du Petit Palais, Genève, Switzerland and the Musée National d’Art Moderne, Paris, France.
A piece titled ‘Personnage Cubiste’ from 1919 sold in 2013 at Sotheby’s New York for $329,000. Hayden’s most expensive work to date, a Cubist painting titled Fille Assise Au Bouquet De Fleurs, 1919, sold in 2011 at Sotheby’s Paris for $655,390.
No previously sold works for this artist